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It was hard to imagine a hotter package. After more than a year of public #MeToo excoriations against powerful men in the entertainment industry, the time felt ripe for a movie about women kicking ass. The global makeup of its cast — American, European, Kenyan, Chinese — boded well for worldwide box-office tallies. A bidding war broke out for the distribution rights. Universal won with a $20 million bid, with Chinese studio Huayi Brothers kicking in the same amount to release the movie in China.
Seeing a Chinese actress alongside Oscar winners, an equal to the Hollywood A-list, was another vindication of Xi Jinping’s new China. A decade after its Olympic opening ceremony, the country had sent one of its biggest stars to the world’s most glamorous film festival. Fan wore oversized sunglasses and a white-on-white ensemble, pairing a loose-fitting blouse with a feathered skirt. She had gone the “flower vase” route in the
But then, when the actresses gathered again for filming, Fan was nowhere to be found. Even one week into the shoot, no one on set knew if she’d show up — or if they were even allowed to talk about why she’d disappeared. With cameras rolling, the cast and crew of Fan’s new movie did not know if the authorities would allow her to leave the country — or even to leave her home.
Graphic designers erased her face from movie posters. Longtime observers of the industry drew comparisons to the fate of Tang Wei, a Chinese actress who had starred in Ang Lee’s
China’s film industry under Xi Jinping wanted the special effects, the box-office grosses, and the global influence of modern-day Hollywood. But it wanted the stars that such a system creates to remain stuck in the 1920s, when Rin Tin Tin was the ideal star — bankable and trained. “The creation of art can fly with the wings of imagination,” Xi had said at his Yan’an speech on art in 2014. “But make sure art workers tread on solid earth.” China’s quest to balance its consumerism and its Communism resides in these “art workers” who pose for Gucci one day and play a Mao-era soldier the next. Before her arrest, Fan’s filmography was a model for every Chinese actor, producer, and director trying to succeed in the country’s modern entertainment sector: commercial and patriotic.
Following Fan’s arrest, the government announced that it would rein in stars’ salaries, ruling that they could account for only 40 percent of a film’s total budget. The film industry was “distorting social values” through “money worship,” the authorities declared. Fan was ordered to pay $131 million in back taxes, though reports of how much came out of her own pocket range from $2 million to $70 million. The government said it collected $1.7 billion in total from the film and television industry’s unpaid taxes as other stars and studios were audited. Shares in Chinese movie companies fell an average of 18 percent as investors realized that China’s government was on to them.
In 2008, she was awarded with the “Outstanding Contribution to Chinese Cinema” at the 11th
A veteran in the film industry, Zhou Xun has appeared in over 30 films and won numerous awards throughout her career as an actress, including Golden Horse Awards, Golden Rooster Awards, and Hong Kong Film Awards, making her the first Chinese actress to win all three of the top awards in Chinese language cinema. With roles in musical film
A Chinese actress of Uyghur origins, Dilraba is among the most popular new generation TV actresses. Represented by Yang Mi’s agency
In 2018, Fan disappeared for three months, reportedly during an investigation into her tax affairs by the Chinese authorities. She was reportedly fined a sum greater than her net worth.
