Read about 'Second Chance,' a new Adult Empire VOD exclusive from Marc Dorcel.
For her very first directing job for Dorcel, Anna Polina delivers a touching story that is very close to reality. She presents us the life of a young woman in her thirties for whom a breakup is not a fatality and who has only one desire, to give a second chance to her own happiness.
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Seconde Chance La premiere realisation dAnna Polina pour Dorcel. Suite a une rupture douloureuse, Alexandra decide de tout mettre en uvre pour reprendre le controle de sa vie
Who among us can’t identify with the pain of a breakup? Dorcel takes this eminently relatable experience and expands it into another exciting, involving porn feature. We readily slip into the world of our Parisian heroine, who finds the city’s famous glow dulled by the end of her relationship. It would be easy for the movie to offer a romantic, storybook ending, but instead it finds a darker, more adventurous path. Clea Gaultier’s supporting role is memorable but never overshadows Carolina Cherry’s sensitive protagonist. Additionally, on a pure “bang for buck” level, Polina packs an impressive five sex scenes into a movie that runs just 90 minutes. We can only hope that this is the first in a long series of directorial efforts by Polina!
Herve Bodilis is one of Dorcel’s most prolific directors (he’s an XBIZ Award winner) and I was excited to finally see one of his films. Herve does a nice job telling a compelling story and he gets some really steamy sexual performances from his cast in the process. One thing I must commend Herve on is utilizing the non-sex talents of his cast. This movie is about dancing and was a natural fit for Dorcel contract star Clea Gaultier as she was a professional ballet dancer prior to becoming an adult performer. There’s an audition sequence at the beginning of the movie where Clea gets to show off her ballet s and while short, it is very, very nice.
Then later on, there’s another quick sequence in the strip club where Clea is pole dancing slightly off-camera (really its just her hips, ass and thighs in the frame) and she showcases some fantastically erotic dance moves that I can only assume benefitted from her years of formal training. I wish more directors would showcase the talents of their cast in this manner. This movie also marks a distinct step away from the mold of many other Dorcel films I’ve seen in that it forgoes the use of narration to tell the story in favor of spoken dialogue either by the performers themselves (like Amirah Adara) or via localization. I really enjoy hearing the European performers speak, even if they have thick accents. I wish more Dorcel films would follow this pattern.
I liked this movie because I liked this story. The cast all do a great job (Amirah Adara and Clea Gaultier especially) and the visual quality of the film itself was quite high. I really liked the dual story that the feverish competition in ballet can be just as catty, seedy an amoral as the professional jealousy that occurs in strip clubs. There’s a good variety of sex and a lot of it is filmed in a way that makes it quite intimate which I found enjoyable. I watched this movie on DorcelVision.com, so I was not able to view any of the special features.
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